T (for Torture)

Drama simple set/2M One act

How does one survive torture? Anyway he can. A man uses comedy, his charming personality, and fond memories to withstand his torture.

A man is held captive in an undisclosed room. He has lost everything: time, family, and all his wealth. All he has left is his dignity, and his name. Unfortunately for him, that is what the torturer is trying to extract. In abstract motions and in the form of ballet, the torturer delivers his assault on the victim. With time, and the victim’s constant discussion of his happier moments of life, the torturer discovers that there is only one thing that will break the victim. The face of a woman with blue eye shadow and ruby red lips.

Staged Reading at Amnesty International charter meeting, and Produced in English and Spanish by Aguijon II Theater company (1992)

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The Migrant Farmworker’s Son

migrantTragic-comedy 1F, 3M, a young girl and extras Unit set Full lengthThe horror of losing a child throws a family into silent turmoil with all the pressures of American assimilation.1984. Henry, a well-adjusted Mexican-American teen, lives in a small Arizona town with his parents. His mother encourages Henry to assimilate, but his dad has a harder time learning the language and customs. Since the death of the young daughter, he feels haunted, isolated, and cut off from the rest of his family. Henry’s abysmal command of Spanish fuels these feelings and his father is often abusive. Through the play, Blue Mexican peasants appear representing migrant life and the demand of a dual culture existence. Oliverio, a warm and funny old farmworker, embeds messages in his poetry to help Henry understand something of his father’s feelings of pain and guilt.

Whitfield Cook Award 1997, Workshop at Chicago Dramatists, staged reading at the University of Texas, Borderlands Theatre, and the Bilingual Foundation on the Arts.

SCRIPT AVAILABLE AT www.dramaticpublishing.com

The Migrant Farmworker's Son“This play reminded some audience members of Death of a Salesman by Arthur Miller, but with a migrant experience.” – David Acevedo / Director Teatro Unido (San Francisco)

“This play by Silvia Gonzalez S. depicts the familiar situation of the immigrant family living in two worlds… The production’s excellent tension is generated by the strength of the actors. Ramon Busto’s Papa is autocratic, romantic, and out of control. He cannot display his vulnerability and instead plays the macho man and risks everything he loves most.  5 Stars” – San Francisco Examiner

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The Narcissistic Personality Disorder Radio Show

Comedy, 2F one act play

Who is crazy?

Natasha Woods is the host of The Narsissistic Personality Disorder Radio Show. She is not a licensed therapist, but a family member has the disorder–her mother. When her mother calls into the show to declare her innocence, the boundaries of medical health become blurred.

Produced by Stockyard Theatre Project in September 2001, and presented at the Arlington Center for the Arts, Massachuttes November 2,3, 2001. ****I don’t ask for royalties on this play.

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The Shrinking Wife

Tragic-Comedy 2F, 1M unit Full length

Sex is more important to Van Nuys than ever before now that he is healthy again. However, his wife is weakening in health due to natural aging. A kind neighbor becomes the target of his obsession.

After a coronary bypass, Van is ready to live the life he once led when he was in his younger days. However, Mabel cannot keep up with his pace because while he was healing, she started failing in health. Van, somewhat accepting his wife’s inability to perform, starts to flirt with an unsuspecting neighbor fifty years his junior. This neighbor, Ana Cabrillo-Sherman, is new to the area, having escaped the big city with her doctor husband for a rural, calmer life. As Ana misinterprets Van’s ‘craziness’ Mabel appears to be shrinking from being ignored and pushed aside.

Staged reading with Mutt Rep at the Producer’s Club in New York, staged reading at Chicago Dramatists Workshop

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Tower of Babel, Inc.

Comedy 3M, 2F one set one act

The corporate office mandates the English-Only rule and suddenly, the executives have forgotten English and are speaking in other languages.

Executives meet and discuss the matters of the day. A discussion ensues on how they do not want the custodian to speak any other language but English. Despite protests from another executive, they mandate an English-Only rule. Then, the executives cannot understand each other. They have lost the ability to speak English and are speaking in languages they hate.

Staged reading at the Strawdog Theatre’s Crossing Borders Festival (1995)

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U Got The Look

Synopsis of U Got the Look

It is Rich’s dream to be the perfect actor for every role, but as a new actor in Los Angeles, is he better off changing his name to fit the mold? What about his look? Is he not Latino looking, or is he too Latino looking? He doesn’t even speak Spanish, so is that creating some acting road blocks? He meets Manilla who gives him a special power to be the perfect look to fit roles. All is wonderful for awhile, but it comes with a huge price. He must find a way to return to who he was, or lose all that he had prior to the spell.

Quick Blurb:

Rich Gomez, an inspiring Latino actor, meets a Palm Reader who gives him a potion to be the perfect actor for every role, even roles he doesn’t want

U GOT THE LOOK

Cast:
Rich Gomez…………… Light Skin Latino, 20’s
Manilla/can be ensemble.. African-Cuban Palm Reader
Cindy/can be ensemble…. Rich’s agent, 30-38
Juan/can be ensemble….. Latino actor. 25-35
Tiffany/can be ensemble.. Rich’s girlfriend, 20-25
Ensemble to play various characters…. Any ages and races

Ensemble characters:
Man in Charge, Lupe (Latino guy), Ray Bradbury (Latino), Darth, Tech (Latino), Other Tech (Latino), Casting director#1, Casting director #2, Director, Rich’s Mom (Latina), Message voices #1, #2, #3, Assistant Director, Producer, Actor #1, Actor #2, Eager Beaver Actor, Fan(Girl), Director #2, Director #3, Director #4, News Person, Entertainment Tonight Anchor, Josh Winthrow, Policeman, Director A, Director B, Director C, Director D, Director Z, Playwright (girl)

Cast ratio: M 5+, F 5+, any gender 20+

Play History:

The play has had a living room reading in Los Angeles, a table reading at New Dramatists in New York, and a workshop at Cerritos College in Southern California. That’s it for history, but not for my dedication to make this play resonate.

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