‘Alicia in Wonder Tierra’ kicks off CSUSB theatre season – CSUSB News

‘Alicia in Wonder Tierra’ kicks off CSUSB theatre seasonTOP STORIES November 2, 2016, by CSUSB Department of Theatre Arts 0 Comment    ShareCal State San Bernardino’s Department of Theatre Arts opens the 2016-2017 Barnes Theatre production season with “Alicia in Wonder Tierra (or, I Can’t Eat Goat Head),” by Silvia Gonzalez S., and the playwright on Nov. 2 visited the campus to meet with an acting class, giving them some insight to her work.When Alicia enters a Mexican curio shop with her mother, she accidentally finds herself transported into fantastic realms, filled with amazing creatures, brilliant Mexican imagery, and magical realism. Her adventure brings her face-to-face with Latin American traditions, appropriated pop culture symbols, and historic icons.While on her exciting adventure, Alicia begins to learn the difference between true heritage and stereotype as she attempts to find her way back home. This unique, family-friendly production features actors and puppets performing side-by-side in a space that reveals new wonders as each scene evolves.

Source: ‘Alicia in Wonder Tierra’ kicks off CSUSB theatre season – CSUSB News

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Alicia in Wonder Tierra – San Bernardino

Alicia in Wonder Tierra – San Bernardino

Playing November 11 – 20, 2016

Alicia in Wonder Tierra to be produced in San Bernardino this fall at CSU San Bernardino. The dates are: preview on Nov 10 and then shows the following 2 weekends at CSUSB (Nov 11-13, Nov 18-20), then performance at the Palm Desert campus on Dec 1 and 2 for schools during the day.

“Alicia in Wonder Tierra”
Written by Silvia Gonzalez S., Directed by Johanna Smith

When Alicia enters a Mexican curio shop with her mother, she accidentally finds herself transported into fantastic realms, filled with amazing creatures and brilliant Mexican imagery. Steeped in Latin American cultural icons, Alicia begins to learn the difference between tradition and stereotype as she attempts to find her way back home to her family. This unique, family-friendly production features actors and puppets performing side-by-side in a space that reveals new wonders as each scene evolves.

Silvia Gonzalez S. Alicia In Wonder Tierra

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Alicia In Wonder Tierra (or I Can’t Eat Goat Head)

Alicia In Wonder Tierra (or I Can’t Eat Goat Head)

Family Comedy 3-5F, 3-5M multiple set full-length loosely based on Alice in Wonderland, with a touch of The Wizard of Oz, we follow the whirlwind adventures of Alicia, a Hispanic Valley Girl teen.

Alicia, a bratty teen visits a Mexican Imports Curio Shop with her culturally passionate mother. Warned to be careful in the back room by the store keeper, Alicia bumps her head after tripping over Mexican pottery. She then finds herself in a journey through media induced stereotypes and icons which are hilarious comments on today’s multi-cultural society.

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Border

Black Comedy 2M One set Short one act

A hilarious depiction of a smuggler enticing a reluctant young man to cross the border.

Nacho is standing in front of a wall waiting for a passerby. When he sees one, he puts on the charm and attempts to convince the passerby there is much to be found on the other side of the wall for just one dollar. Estefan is not interested, but that doesn’t stop Nacho. He uses every tactic until he gets Estefan interested to ‘go to the other side.’ Finally, Estefan pays his dollar and crawls through the hole to get to the other side. Then fate comes in.

Presented at the Oregon Bilingual Conference in Bend, Oregon 1997, Produced by Aguijon II Theater company (1992)

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¡FIESTA!

Children’s theatre 1F,1M, 4 children (one physically challenged) one set One act

Children playing in the park meet a strolling minstrel and his puppeteer assistant who tell Mexican folk tales, and sing songs.

A traveling minstrel and his assistant come across some children playing ‘ghost’ with their friend who is in a wheel chair. Curious, the children convince the minstrel to tell them stories. They do so with a parrot puppet.

Commissioned and produced by The Kennedy Center Youth Dept.

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La Llorona Llora

lloronaDrama 3F,1M one set One act

A historical and sensitive recreation of the original Mexican ‘Medea’ story of La Llorona and the conquistador who loved her.

For many Indian tribes in Mexico, the Spanish were welcomed to temper the sometimes ruthless Aztecs. These friendly tribes and the Spanish lived peacefully for awhile and their off-spring became a mixture of the two. However, one Spaniard, preparing to return home to his sisters and mother, is forbidden by them to bring his Indian wife and Mexican children. Torn, he gets them to accept his children, and decides to leave his wife. The wife, crazed with the idea of never seeing her children again, kills them, and then goes crazy from regret. Even today, there are those who say they hear her crying at night.

SCRIPT AVAILABLE AT www.dramaticpublishing.com

Produced in Kalamazoo and Chicago by The Whole Art Theater (1994, 1995)

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Los Matadores

matador3Drama 1M, 1F, a guitar player and flamenco dancer unit set Full length

If a woman could be a bullfighter, then Girl would have succeeded. Instead, she teaches a broken, old miserable wannabe.

A broken, wannabe bullfighter buys a painting from a blind man and from the oils a flamenco dancer and guitar player come out of it to sing and dance for him. The boarding house maid appears to be educated in the art of bullfighting and educates him in the techniques. Later they become lovers. However, it is not until he makes love to a minotaur woman is he able to fight in the ring.

Workshop at Paula Productions in Portland, Oregon 1997, Workshop and Staged reading at Body Politic Theater, various staged readings at Chicago Dramatists Workshop, The Bilingual Foundation on the Arts, and Seattle’s Empty Space Theater.

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Plution

Abstract-black comedy 3F, 3M one set one act

A dysfunctional family on Father’s Day subconsciously want to kill each other and do, several times.

It’s Father’s day and everyone gathers to give presents to grandpa and dad. Grandma has an anger-thing going towards grandpa. Grandpa retaliates by shooting her. In that moment of frenzy, all are shocked. Then the action picks up as if nothing happened. This continues with a conflict between dad and mom, and the son and daughter. Then the daughter, has had enough. She puts the gun to head to kill herself. The family tries to talk her out of it, but their heart isn’t really not into it. A play with an anti-gun message.

Produced at Mid Michigan College (1995), and a staged reading a Chicago Dramatists Workshop.

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Repeat Hero

Drama 2M, various extras or video one set One act

A man returns a missing child and is praised as a hero. A detective suspects this is a repeated action of a laborer looking for job offers as rewards.

In an El Centro, California town, a hero is claimed for finding a lost boy. He is showered with words of praise and other financial rewards. It’s a windfall and the hero accepts all praise readily. His favorite form of praise is the offering of jobs. A Native-American detective suspects something strange about this event. He remembers a similar occurrence in another town. He then takes the hero to his office and interrogates him about the finding of the boy.

Reading in Seattle with Northwest Playwrights Guild and at Borders Book Store, Beaverton, OR 1996.

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