Arizona Theater Company National Hispanic Playwriting Award Runner up
2012 The play LOS MATADORES is a finalist. “I say that’s pretty good. Don’t mind being a bridesmaid.”
Read More2012 The play LOS MATADORES is a finalist. “I say that’s pretty good. Don’t mind being a bridesmaid.”
Read More‘Wonder Tierra’ mixes best of Lewis Carroll, Oz
12:53 PM CDT on Monday, September 17, 2007
By LAWSON TAITTE / Theater Critic
You could hardly ask for a better way to spend Mexican independence day than watching Alicia in Wonder Tierra.
Mike Stone / Special to DMN
Rosaura Cruz and Amanda Fae Elrod explore a fantastical dreamland in Alicia in Wonder Tierra. Cara Mia Theatre Company is performing this family show by Silvia Gonzalez S., appropriately enough, at the Rosewood Center for Family Arts (the home of Dallas Children’s Theater). It’s all about understanding – and loving – one’s cultural roots.
Alicia in Wonder Tierra, as the name suggests, is a loose adaptation of Lewis Carroll’s two Alice books – but it also owes at least as much to The Wizard of Oz. Alicia, an adolescent Mexican-American who doesn’t speak a word of Spanish, reluctantly visits a shop dedicated to Hispanic arts – all the while agitating for a later stop by the mall.
Vaguely browsing through a back room, she climbs up to examine a piece of pottery. She falls, breaking the pottery and conking herself out.
For nearly two hours, she follows various figures through a dreamland that introduces her to Mexican culture. Ms. Gonzalez’s play never really finds a strong enough structure to keep us feeling that it is moving forward, but is inventive moment to moment.
Read More‘Wonder Tierra’ mixes best of Lewis Carroll, Oz
12:53 PM CDT on Monday, September 17, 2007
By LAWSON TAITTE / Theater Critic
You could hardly ask for a better way to spend Mexican independence day than watching Alicia in Wonder Tierra.
Mike Stone / Special to DMN
Rosaura Cruz and Amanda Fae Elrod explore a fantastical dreamland in Alicia in Wonder Tierra. Cara Mia Theatre Company is performing this family show by Silvia Gonzalez S., appropriately enough, at the Rosewood Center for Family Arts (the home of Dallas Children’s Theater). It’s all about understanding – and loving – one’s cultural roots.
Alicia in Wonder Tierra, as the name suggests, is a loose adaptation of Lewis Carroll’s two Alice books – but it also owes at least as much to The Wizard of Oz. Alicia, an adolescent Mexican-American who doesn’t speak a word of Spanish, reluctantly visits a shop dedicated to Hispanic arts – all the while agitating for a later stop by the mall.
Vaguely browsing through a back room, she climbs up to examine a piece of pottery. She falls, breaking the pottery and conking herself out.
Read MoreEL VAGÓN (Boxcar) written by Silvia González. Directed by René Buch.
(965) Vagón (Boxcar) A scene from the play at Repertorio Español – YouTube
A Hispanic border patrol officer is forever changed as a witness recounts the story of how he and several men used coyotes to cross the border and what happened when they did. Available in both English and Spanish. Winner of METLIFE VOCES and produced in NYC at the famous the Repetorio Espanol.
Read MorePerformance in the Borderlands offers spring events with EL VAGON by Silvia Gonzalez S.
The Performance in the Borderlands Project at ASU introduces another exciting and thought-provoking series of screenings, performances and discussions with artists, critics and scholars on topics related to cross-cultural performing arts. The events will be held through April 14 and are free, unless otherwise noted. “One of the most exciting aspects of this series is the focus on conversations with guest artists and performance practitioners who are collaborating with ASU students and faculty,” says Ramon Rivera-Servera, an assistant professor of theater and a Southwest Borderlands scholar. “The series offers the public a unique opportunity to learn about these artists, and to preview some of the most interesting work being produced in the Southwest.” The Performance in the Borderlands Project, part of the Herberger College’s School of Theatre and Film at ASU, is a research, education and public programming initiative dedicated to the understanding and promotion of cultural performance along the U.S.-Mexico border.
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